Mambo Italiano
http://image-5.verycd.com/af0669d59e7cabcc845fad7f573d4e8346562/post-331610-1197735818.jpgMambo Italiano
A girl went back to Napoli
Because she missed the scenery
The native dances and the charming songs
But wait a minute, something's wrong
Hey, mambo! Mambo italiano!
Hey, mambo! Mambo italiano
Go, go, go you mixed up sicialiano
All you calabraise-a do the mambo like a crazy with a
Hey mambo, don't wanna tarantella
Hey mambo, no more a mozzarella
Hey mambo! Mambo italiano!
Try an enchilada with da fish a bac a lab and then a
Hey goombah, I love a how you dance a rhumbah
But take a some advice paisano
Learn how to mambo
If you gonna be a square
You ain't a gonna go nowhere
Hey mambo! mambo italiano!
Hey mambo! mambo italiano!
Go, go, Joe, shake like a Giovanno
Hello kess-a-deetch-a you getta happy in the feets a
When you mambo italiano
Shake-a Baby shake-a cause i love a when you take a me
Mama say "stop-a or I'm gonna go to papa"
And a hey ja drool you don't a have to go to school
Just make-a wid da beat bambino
It's a like a vino
Kid you good a lookin' but you don't a-know what's cookin' till you
Hey mambo, Mambo italiano
Hey mambo, Mambo italiano
Ho, ho, ho, you mixed up Siciliano
it's a so delish a ev'rybody come copisha
How to mambo italianoooooo!
'Ats nice!
UNH!萝丝玛莉‧克鲁妮（Rosemary Clooney，1928.05.23 －2002.07.29）,毫无疑问的,她不但是50年代最性感的女星,而且也是爵士名人堂里难得一见的、集容貌、气质与歌艺於一身的白人爵士巨星,同时她也是当今最影坛最性感的男人－乔治‧克鲁尼的舅妈.成长於30年代,对摇摆乐的狂热是自然而然的,萝西迷上了歌唱,平克‧劳思贝、法兰克‧辛那屈、比莉‧哈乐黛都是她的偶像.为了一偿所愿,能在电台唱歌,她分文未取没天没日的唱,她的努力与付出终获赏识,17岁的她就进了她梦寐以求的大乐团担任歌手,从此一路青云.50年代,便以单飞之姿与各大知名乐团合作,并跨足影、视、歌三栖,一共有13首歌挤进了Top 40.随著摇滚乐的兴起,萝西以家庭为重,淡出歌坛,直到70年代末再度复出.走老运的她,以醇厚、浓郁的歌声再一次掀起歌坛的怀旧风潮,不但新的唱片一直灌录,连以前的专辑都不断的复刻再上市,直到过世为止.
萝丝玛莉是1950年代美国当红歌手,爵士歌曲经由她的柔情传唱,格外甜美,美国乐迷还昵称她做“Girl Singer”,但是一遇上摇滚音乐的浪潮冲撞,她立刻就不红了,但是她没有放弃,还是继续唱,而且唱得比前还要好,不红就不红了,唱歌还是她的专业,一有机会,不管歌迷有几人,她还是认真唱著她的歌.花无百日红,人无百日好,一朝得势,呼风唤雨,正是实践梦想的大好机会,钱要赚,梦想更要顾,才不枉人生一趟江湖行,也正因为多数人红的时候只顾赚钱,却失了格,忘了梦,一旦失了势,当然就更不可能去逐梦圆梦了.相对之下,萝丝玛莉‧克鲁妮的人生体悟、行为及谈话,才格外引人深思.
http://www.iamjanet.com/mambo.mp3 这个有点像歌剧的感觉... 爵士乐～最随性的音乐～
对唱歌的人还有演奏的人都有很高的要求～现场表现力是爵士乐的灵魂
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